The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film



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The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje ebook
Page: 368
ISBN: 9780375709821
Publisher: Knopf Doubleday Publishing Group
Format: pdf


A particularidade de montar de pé "como um cirurgião realiza uma operação" e, depois, iniciasse um conjunto de entrevistas com ele que viria a formar o livro "The Conversations: Walter Murch and the Art of Editing Film". The Hollywood Post Alliance just announced that sound designer and film editor Walter Murch will be on hand to present the Charles S. The recording, processing, editing and mixing of sound effects, including “on screen”, Foley, and background sound effects, is often managed by a sound designer. He later conducted a series of interviews with Murch that were published as The Conversations: Walter Murch and the Art of Editing Film. The two had a series of conversations/interviews (Ondaatje is asking the questions, primarily) that are collected in a book called The Conversations: Walter Murch and the Art of Editing Film. Rarely has a book given me as much pleasure. Opening the door to the edit suites of Walter Murch, District 9's Julian Clarke, Precious editor Joe Klotz and The Hurt Locker's Chris Innis. Described as the invisible art, editing remains a mysterious craft, difficult to judge without seeing the hours of film that have been rejected. Walter recalls an observation he first made while editing The Conversation. Watched it last week with Brian. And being the girl who's never been taught to be where she is, I've already made a second list. Watched it twice last week, and now I'm reading "The Conversations / Walter Murch and the art of editing film" by Michael Ondaatje. In these darkened rooms, the editor has the power to slow or speed the pace of . Certainly Michael Ondaatje's The Conversations: Walter Murch and the Art of Editing Film belongs on any cinephile's top shelf but also within reach of anyone who cares about any art. Swartz Award for Creativity and Innovation in the Field of Post Production to his American Graffiti and The Godfather, Part II, won his first Academy Award nomination for The Conversation, won his first Oscar for Apocalypse Now, and won an unprecedented double Oscar for sound and film editing for his work on The English Patient. According to Walter Murch — the first person to be credited the title in recognition of his contribution to the film Apocalypse Now (Coppola 1979) — the role of the sound designer is to take care of the overall treatment of sound in film (Thom 1998, 122).





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